Your Complete Guide to Paradise
Anticipation was high Saturday night for legendary singer Bob Dylan’s first appearance in Central America.
Organizers worried they wouldn’t sell enough tickets to fill the Palacio de los Deportes, a 4,500-seat, 1980s-era basketball arena in Heredia, north of the capital. Concertgoers – who paid up to $150 for tickets – worried the sound would be muddled given the venue’s penchant for bad acoustics. And just before doors opened, Dylan barred news media from photographing the show.
But anxiety turned to euphoria when the 70-year-old poet-singer, smiling slyly, walked on stage dressed in his trademark brown porkpie hat. He settled into his role as musical barker with the opening chords of “Leopard-Skin Pill-Box Hat.”
Thousands of fans, who descended on the Central Valley from all corners of Costa Rica and other parts of Central America, rose to their feet in a collective roar of adoration. Yes, that was Bob Dylan on stage.
The crowd’s diversity ran the gamut from gray-haired hippies to teenagers, musicians, writers, bankers, all linked by a rare opportunity to see a man who’s been transcribing life into song for half a century.
In a set that lasted just under two hours, Dylan performed 18 songs from his 600-song repertoire, spending most of the night behind a Korg organ and filling in interludes with an array of harmonicas that drove fans into a frenzy with every note.
As expected, Dylan’s traveling band is well-versed in the different genres that characterize his music – swing, blues, jazz, country and rock – and with two guitars, electric and upright bass, drums and lap steel guitar, they provided a flamboyant sound that was well-suited to Dylan’s aging, gravely voice.
Playing with the legend requires one to be on his toes. There is an unmistakably impromptu approach to Dylan’s live performances, which don’t sound like earlier recordings or the classic hits we grew up listening to on the radio. He sometimes forgets lyrics. He sets up a guitar solo only to launch into another verse. He gives orders on the run. And sometimes the music takes a back seat to smartly worded lyrics.
But the band seems to take it in stride. They’ve done this before.
On his second song, “Don’t Think Twice, It’s All Right,” fans responded to each lyric with hoots and hollers, and the band brought it home in grand style.
Dylan’s strange phrasing on “Tangled Up in Blue” didn’t seem to bother anyone, and the set’s fifth song, “Summer Days,” a swinging number from Dylan’s 31st studio album “Love and Theft,” had everyone dancing in the aisles.
One of the evening’s prettiest songs, “Not Dark Yet,” from 1997’s “Time Out of Mind, ” is also one of Dylan’s most existentialist: “Feel like my soul has turned into steel. I’ve still got the scars that the sun didn’t heal. … I was born here and I’ll die here against my will. I know it looks like I’m moving, but I’m standing still.”
When you’re blue, turn to the blues, and Dylan did on his next two songs, “Jolene” and “Ballad Of Hollis Brown,” a 1964 song about a poverty-stricken South Dakota man who kills his family and himself.
The classic “A Hard Rain’s A-Gonna Fall” came off flat, with rushed lyrics, uncomfortable pauses and a band struggling to follow their leader. But he’s Dylan, these are his songs, he’ll do what he wants.
Next was another of the night’s highlights, “The Lonesome Death of Hattie Carroll,” a well-known early track that showcases Dylan’s incredible storytelling ability: “Oh, but you who philosophize disgrace and criticize all fears, bury the rag deep in your face, for now’s the time for your tears.” A slow fade out added a haunting beauty to the troubling subject of the song.
By this time in the show, most folks, enthralled, had taken their seats. But “Highway 61 Revisited” brought everyone to his and her feet again, and the energy in the room was as electric as the 1965 album of the same name.
Fans also appreciated Dylan’s choice of popular tunes to end out the historic evening, including “Like a Rolling Stone,” “All Along the Watchtower” and “Rainy Day Women #12 & 35” (although with no alcohol sales at the venue and no smoking allowed, no one was getting stoned).
At the curtain call, Dylan noticed a particularly euphoric group of young concertgoers in the balcony to his left. During an encore performance of “Blowin’ in the Wind,” he walked to stage left and delivered a personalized harmonica solo for the group of ecstatic fans, providing them an unforgettable moment from an unforgettable night.
And he left the stage as he entered it, smiling slyly.by
One of the most anticipated concerts in Costa Rica is only days away, when Bob Dylan takes the stage at the Palacio de los Deportes, in Heredia, on Saturday, May 5.
Rumours are that Dylan will be arriving in Costa Rica as early as today, days before the concert, to take the opportunity of spending a few days and be a tourist in Costa Rica.
Doors to the concert open at 5pm Saturday and there are still tickets available at www.specialticket.net or in person at Servimas (Mas x Menos), and music stores Bansbach music and La Barberia.
Cost is from ¢44.000 to ¢75000 colones.
Dylan gave a concert in Chile yesterday and is expected to arrive in Costa Rica sometime today. On Sunday, Robert Allen Zimmerman (Bob Dylan), born on May 24, 1941 (which makes him 70) in Duluth, Minnesota, U.S. has been an influential figure in popular music and culture for five decades.
A number of Dylan’s early songs, such as “Blowin’ in the Wind” and “The Times They Are a-Changin'”, became anthems for the US civil rights and anti-war movements. Leaving his initial base in the culture of folk music behind, Dylan’s six-minute single “Like a Rolling Stone” has been described as radically altering the parameters of popular music in 1965. However, his recordings employing electric instruments attracted denunciation and criticism from others in the folk movement.by
U.S. singer Bob Dylan will arrive today in in Costa Rica, according to producer, Andrew Guanipa Evenpro. He is scheduled to perform Saturday at the Palacio de los Deportes in Heredia. Tickets are priced between ($87) ¢44,000 and ¢75,000 ($149).by
Havana, Cuba, Apr 28.- The recital Cantos de amor y vida (Songs of Love and Life), by Cuban humorist Carlos Ruiz de la Tejera and troubadour Jesus del Valle (Tatica), was warmly welcomed on Friday by prestigious cultural centers of Costa Rica.
The show includes poems, songs and humor, and has been presented at various activities on the occasion of the World Day for the Freedom of the Five Cuban Heroes, unfairly imprisoned in the United States, the www.cubaminrex.cu Web site reported.
Cuba’s ambassador to the Central American nation, Antonio Pardo, thanked the two artists for their presence at the National Meeting in Solidarity with Cuba, and acknowledged their professionalism and devotion towards the enthusiastic public applauding them.
In this, their fourth visit to Costa Rica, De la Tejera and Del Valle were received at the National University of Nicoya, where they performed for residents in the locality of Mansion, founded in the 19th century by Cuban patriots Antonio Maceo and Flor Crombet.
After their presentation in the mountainous town of Jaulares (in the northern part of Alajuela), the renowned Cuban artists will perform on Saturday in the city of Guapiles, and on Sunday at Puerta de Alcala, in the city of Heredia.
Carlos Ruiz de la Tejera and Jesus del Valle will return to Havana on April 30, to take part in celebrations for International Workers’ Day. (ACN)by